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Free Play: Improvisation in Life and Art, by Stephen Nachmanovitch
Free Download Free Play: Improvisation in Life and Art, by Stephen Nachmanovitch
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Free Play is about the inner sources of spontaneous creation. It is about where art in the widest sense comes from. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms.Free Play is directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity. Filled with unusual quotes, amusing and illuminating anecdotes, and original metaphors, it reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured by certain unavoidable facts of life, and how finally it can be liberated - how we can be liberated - to speak or sing, write or paint, dance or play, with our own authentic voice.The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. It brings us into direct, active contact with boundless creative energies that we may not even know we had.
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Product details
Paperback: 224 pages
Publisher: G.P. Putnam's Sons; First edition (May 1, 1991)
Language: English
ISBN-10: 0874776317
ISBN-13: 978-0874776317
Product Dimensions:
5 x 0.6 x 8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
107 customer reviews
Amazon Best Sellers Rank:
#59,036 in Books (See Top 100 in Books)
Simply stated, this book is unlike any other I‘ve personally been privileged to read. I find myself revisiting it’s content frequently as I find my way along a creative path. This journey, my journey, has been further informed by the most sincere and insightful wisdom found within. The depth of my understanding of living a creative life continues to deepen with each opportunity to evaluate, resonate and assimilate what lays at it’s heart. Stephen Nachmanovitch has delivered, at least to this traveler, with sincere intentions and remarkable clarity, a way in to the creative pursuit, it’s transformative possibilities and the joys which can accompany a recognition of work and play as one in the same. Treat yourself to this book and read it... over and over again!
Since there are so many good reviews I chose begin with something slightly different so you could see the author's background.Dr. Nachmanovitch's PhD dissertation was on the History of Consciousness for an exploration of William Blake. This is significant because of Blake's ideas and friends. Namely Blake was interested in Women's rights, Thomas Paine was in his literary group and among other things Blake favored the freedom of the Colonies from Britain.From this I got a sense that Nachmanovitch is someone I would like to meet. You may want to read more about Nachmanovitch and Blake elsewhere if you find the above a bit sparse.The book asserts that anyone can improvise and that we all improvise every day in ordinary life when we drive down a street or have a conversation. These ideas are elaborated in simple terms showing how improvization applies to any field not just to Nachmanovitch's field music.I liked the book because it refers to the self in many places as being the source of inspiration rather that some sort of collective consciousness as many books of this nature do. although he does not rule that out - you can make your own choice. However his elaboration makes it clear that within the self there are components that interfere with improv that have to be transcended in order to be creative whether it be in business, medicine, or music. He does makes use of snippets from various sources but does not claim that his sources are of particular interest beyond the use he makes of them. For example to talks of Zen and the five fears of Buddhism but doesn't otherwise claim to be a Buddhist. The quality of this work goes way beyond what could be said in a brief review. To appreciate the brilliance of this work read the book - it is well worth five stars!
I started reading this book about 2 weeks ago. I am an artist and have been wanting very much to change direction in my work. I have been longing to create work more intuitively and without the crutches (crutches for me) of realism. I devoured the first half and the words resonated deeply, but somewhere around the halfway point it began to lose it's hold. I felt as though I was suddenly struggling to understand it and at some points felt confused. There were points that seemed to conflict with one another and I began to feel sad. That kind of sadness you feel when you think you've just found a new friend, a real connection, only to find out there is something about it that simply wont work. And sad, because when this sort of thing happens it makes me question the worth and validity of the parts I loved!So, bottom line, the book starts out with so much inspiration and deep insightful views into human creativity and then fizzles into what feels like an effort to fill pages and cover some key topics that need to be addressed, but then aren't elegantly addressed. They feel more like jumbled meandering words trying to articulate what cant be articulated.
This book had been lying on my shelf for a few years when I finally opened it and found some wonderful advice about how to approach improvisation and composition. Having been a serious musician for over 35 years, I am pretty confident in my abilities and suffer very little anxiety when I know I will have to improvise for a crowd of people. The one thing that I have noticed--and this book addresses, is that the daily grind, the endless tasks of survival, and just the passing of time can have a negative affect on that part of me from which improvisation originates.It can be very easy to lean-on techniques and tricks that have been ingrained and become like an old pair of shoes, however the freshness and excitement of playing can suffer thus making the improvization seem "stilted" or "scripted" to the discerning ear. Reading this book illuminated all the pitfalls of trying to perform/compose while being in the wrong frame of mind and suggests zen-like ideas and games to loosen-up so the performer can be in the correct frame of mind thus allowing creativity and spontaneity to flow unimpeded, and that makes all the difference.Yesterday I had a few hours scheduled to compose/record so I re-read several chapters before I headed to the studio. Some of suggestions that I took into the studio were:1. Approach the subject material in a child-like manner like I was playing my instrument for the very first time.2. Detatch from reality as much as possible and focus upon a muse or some inspirational event. I thought about this on my way to the studio and reflected upon the spirit of joy present during a recent childrens birthday party. I focused upon how I sat watching 5 chldren running around the house, tearing up the place all the while playing with great joy and abandon. How they were always in the moment unconcerned about the past or the future. How their play had a sense of urgency and longing as though they were more aware of their mortality than the adults sitting around watching.I have to say that when I completed my work and listened back it was apparent that the message of this book is a very authentic one. The recording engineer remarked that the recording had a sense of urgency, fire, and a longing that at no time seemed stilted or forced, and that the accidents were happy accidents. I was satisfied with the session for I was able to pen the kernel of three new compositions and I look forward to getting back even more prepared to enter the correct mental zone. I was in the zone and know how to get back there when I need to.I spend a great deal of time working my technique yet it seemed that just a little of this book went a long way. If you are unaware of how to improvise or are suffering from "old pair of shoes" syndrome I am sure that a dedicated reading of this book following by some effort will pay those invaluable dividends that are found in the greatest performances/recordings. If nothing more, it will force you to evaluate your approach towards you particular art form and if you are satisfied.There is an Ambrose Bierce story about a shepherd who encountered a gorgeous woman while attending his flock. He had never seen a woman so lovely, so free, just wandering aimlessly about the countryside yet every time he tried to take hold of her she disaapeared. This kept happening and he fell into a dispondency until he happened upon a man who was wiser than he. The man pointed out that what he had encountered could not be tied down at all for it was the spirit of beauty and joy and it had to be enjoyed while it was there for it was both temporal and perenial.I can think of no better example of what I found in this book for I know that when I improvise I am fliriting with the immortal and as a mortal I found this bit of wisdom alone makes all the difference.thank you
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